











in everything because it is a terrible thing to waste.

Courtesy of CB2
The main difference is about $100, but in terms of everything else, it's pretty hard to choose which one is better. I like that the Hicks table's is a brushed metal instead of of chrome finish, but I like Silverado's design more because the middle gap is visually more interesting.
I like West Elm's corduroy pillow more than CB2's because I like the big ribs. Also there are more muted color choices to work with. The only advantage CB2 has in this department is that theirs are reversible.
For the price and look, the obvious winner is CB2. If I wanted my mirror to look dirty, I'd let it hang unattended, but I wouldn't want someone to do it for me. Also, the Perspective mirror has more abstract pieces put into it, so you get more of the design aesthetic.
Even though they're pretty similar, I like them both for very different reasons. The Butler Tray and Stand seem very sturdy and has an assortment of materials and colors of the tray to choose from. The Formosa tray table is a lot more clean-lined and simple. However, I don't really know how much it can carry before it collapses.
Although CB2 has a lot of fun colors, sometimes, it's about versatility and West Elm's throws seem to have that. On top of that the price is about the same, but theirs is an organic cotton. Green products will always pull at my heartstrings.
I want to think one is better than the other, but it's hard to say which one is better. They both have tripod-esque legs, but I do like Twine's shape more. Also the proportion is a lot more interesting.
I like CB2's Pod rug a lot more because the leaves are broken up and have bits of red outline. The metallic botanical rug is too "obvious." I'm looking at it the way a photographer probably would.
Okay, I don't think I'm that biased because West Elm's bath mat has won me over. Not only is it organic, but also the colors are beautifully subdued and the nubs are thinner. I like color, but there are times when it can obnoxious.
It's hard to judge them because they're almost identical. The Toro chair's blue looks like it belongs to West Elm because that's their signature color while CB2's is orange. Now, the scoop-back chair comes in many different colors, but I really don't like any of them, so Toro wins this round.






This dress clearly comes from the inspiration of a lace-up boot. It's quite clever how they even added the tongue of a boot in there. I personally think the dress could do without the sleeves.
A leather t-shirt...now that's a first. It's a little bit on the bizarre side, but from the look of the fit, it's quite remarkable. I love the silhouette of the wide leg pants; I don't know why more people aren't wearing them.
Is this a dress or are these separate pieces? I can't tell. Either way, it's very simple and clean-lined. The bottom is pleated but it's not flying all over the place, so you don't have to worry about having a "Marilyn Monroe moment."
This coat is beautiful all by itself. It's edgy but ever so wearable. The shape and texture are so rich that you can see right down to the intricate details .
I don't know what it is that makes this look so right. It might be the deep blue origami against Iris Strubegger's masculine beauty. Maybe it's the peek of white.
That leather bolero is striking! It adds just the right amount of drama to the white shirt and trousers. This is a new way of dressing, so run with it guys.
It's the return of the Teddy girl, a subculture from the 1950s. The sage a-line skirt and the berry top could've been a "war of the colors," but the croc leather blazer became the diplomat.
Black and white has never looked so interesting. The print is very abstract and to add to that, the frills give it come dramatic volume to pump up the 1940s vibe. Oh, and if you can't see, the back of the heels of are black and white snakeskin.
Style-wise this look is very symmetrical. The skirt is so busy but it's toned down by the neutral tone. The orange sweater is simple, but you can almost hear the orange scream out loud.
This is my favorite look from the whole collection. It's got that classic 1930s style with a slight quirk through the snakeskin on the side. I especially love the ease of the blouse.
I'm not crazy about the diamond printed fabric, but Dries worked around it in a way that makes me crazy about it. I love the draping and the red bits strategically placed on the waist and neck/shoulder.
The giant bronze polka dots on the shorts are subtle but shine with movement. The boxy cropped blazer complements the shape of the shorts and the color contrasts it beautifully. This is what I would like to see a lot more on the streets.
I like the breezy interpretation of the kimono shirt-dress; it's great for the summer. The thick black pattern outlines add graphic interest to it.
As Chelsea Handler would put it: What... a beautiful shirt-dress. Instead of using different colors to create a plaid, he used different textures to show it off. It's also quite remarkable to infuse the holster and jacket together.
I like the monochromatic effect the colors seem to convey. The subdued signature Missoni zigzag pattern adds a lot more texture to the look, so nothing looks boring. Also, the hooded tube scarf is draped very beautifully.
The clothes have a lot of color, but is neutralized with the two long scarves flowing in tandem. I like the color palette of the skirt, but I like the patterns of the sweater. Stylistically, it would've been less of a visual interruption.
Wow, they've got some pretty neat tricks up their sleeve. The draped and hooded turtleneck sweater with zigzag graphics of the coat pair well. The color story and the contrasting length of the scarves is sparking some ideas in my personal style.
"Nomad" comes to mind when I look at this; is this in anyone's fashion forecast? The floral trench almost looks like a kimono, yet still keeps everything looking organic. Oh, and the hooded tube scarf drapes beautifully even when it's not on the head. I'm especially digging the color palette.
To me, the look says "summer's not really over yet." There's an ease to the look and the floral print is cheery. I would've actually liked to see Liu Wen's hair tucked inside the hat because that would give the look a lot more symmetry.
As a city boy, I love this because there's an urban touch to it. It's a little on the grungy side, which satisfies my personal taste; it's very sexy. The color palette sticks out in the collection for being dark. In that sense, it's the most wearable.
I think this is a wonderful interpretation of a pumpkin (oh no I didn't). I actually like many elements of this look like the crochet dress, the hat, and coat; it's got that 1920s/1930s vibe.